Elspeth Sage: Elspeth Sage is a co-founding director of On Edge, curator, writer, producer and arts critic. Her articles have appeared in Video Guide, Impulse, Vanguard, FUSE, V Magazine, Parallelogramme, Media Arts, HARBOUR Magazine, CIRCA, FRONT and Artists' Newsletter. She was the Associate Curator of Yellow Peril: Reconsidered - national tour of film, video and photography by 25 Asian Canadians (1990-91), and curator of Feng Shui - photoworks by 4 Asian Canadians in Newcastle (1993), curator of Auslander Video new film and video from Berlin by auslanders (outsiders) (1993). She produced the post- exhibition publication of Feng Shui (1994) and was co-curator with Daina Augaitis at the Walter Phillips Gallery, Banff of Jan Wade's exhibition Epiphany (1994), and the curator of the monumental mural project by Nhan Duc Nguyen Temple of My Familiar in Belfast, Northern Ireland (1994). She was Executive Producer of the post- exhibition video of the Temple project, directed by Paul Wong, and Executive Producer of Sovereign, the first videotape by Belfast artist Philip Napier. She produced installation and performance work by artists Jon Bewley and Simon Herbert of LOCUS + (Newcastle) in Vancouver in October, 1995 and was the curator of Vancouver to Santiago - 2nd Bienal de Video in Santiago, Chile (Oct 1995).Her text "Anatomy of a Thriller" appeared in Paul Wong's exhibition catalogue On Becoming A Man, published by the National Gallery of Canada in Sept. 1995. She was the author of an essay for CIRCA Magazine (Dublin) entitled "Cultural Axis" on international exchanges and co-productions. She presented a video installation of On Edge productions at Exchange Resources at the Belfast Arts Festival in November, 1995. She curated a new site- specific installation and performance work by Jan Wade Jazz Slave Ships, Witness, I Burn presented in October, 1996 in Whitehaven, Cumbria and Hull, U.K. dealing with England's involvement in the slave trade. She co-directed with Paul Wong the videotape documenting this project released in January 1998 and she is co-producing with Paul Wong an electronic publication of 14 years of On Edge productions. She is currently producing the Vancouver premiere of Nguyen's Temple of My Familiar for the 2000 Dragon Boat Festival. She is co-author with Elizabeth Vander Zaag of the cougardate.com - an award- winning site dealing with post-feminist practises.